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Anthony Cooney Liverpool, UK
St. Michaels-in-the-Hamlet
No shore remains no shingle and no sand.
Here the curlew sang, sang beyond the sissing shore
sang above the cliffs of naked clay, no saner sound.
Beyond the cliffs the Hamlet stands, surprise
of sudden turnings; elegance of trees elegance of lawns
a minute land.
Here, before Rosetti, Rickman looked back
and forged anew the narrow arch the twisting stone;
clamour of iron glamour of fire romance of unicorns,
new method wedded to old form, the High Romance was born.
In this hollow behind the shore Europe refound her arts and pride,
looked back beyond the sterile centuries of the dome, stood comparison
with Raphael's Greece and Rome.
Here the centuries were leapt to find
the ancient, the stem that might have been.
Here the springtime came anew, bearing
promise of the Culture's burgeoning.
The shore is covered now, an esplanade of concrete
and tame flowers, but still the Hamlet stands, cast iron framed,
white stucco, Flemish brick, cool lanes,
conserved and ordered to remain
a monument to the summer which never came.
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