https://www.uni-muenster.de/Ejournals/index.php/satura/issue/feedSatura2024-02-21T12:55:52+01:00Verena Meyersatura.journal@uni-muenster.deOpen Journal Systems<p><em><span data-contrast="auto">Satura</span></em><span data-contrast="auto"> has a home at the English Department of the University of Münster</span><span data-contrast="auto">. The journal was founded by students of two of the Master programs available at the university: British, American and Postcolonial Studies, and National and Transnational Studies. Here you can find the main principles of the journal’s work and existence.</span></p> <p><span data-contrast="auto"><em>Satura</em></span><span data-contrast="auto"> is dedicated to writing and visual art done by students in English. The journal consists of several parts dedicated to academic research, book reviews, creative nonfiction, creative fiction, and poetry. Some of the articles we publish were born on the intersections between Political Studies and Linguistics, Media Studies, Anthropology and Cultural Studies. In this way </span><span data-contrast="auto">Satura</span><span data-contrast="auto"> celebrates and encourages the </span><span data-contrast="auto">intersectionalities</span><span data-contrast="auto"> of different fields of Humanities.</span></p> <p><span data-contrast="auto">Our online presence brings us closer to readers around the world. We can reach a wider audience via Twitter (@JournalSatura), </span><a href="https://www.instagram.com/satura_journal/?hl=en">Instagram</a><span data-contrast="auto"> and our website. This allows us to build a platform for Creative and Academic exchange around the world.</span></p>https://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4743A Moment of Silence2023-03-29T12:54:44+02:00Melanie Münninghoffm.muenninghoff@uni-muenster.de<p>How often are comic book readers confronted with the phrase “Aren’t you too old to read comic books?” or with being called “geek” or “nerd” for liking them? Also, in academic circles, even though the numbers of academic studies on comic books has increased in recent years, it is not yet established and unified as a critical field, partially because of its multimodality, but also because of its conceptualization as being a lowbrow genre in the literary field.</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Melanie Münninghoffhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4817Mirroring Contemporary Society: A Dystopian Critique of Power Dynamics and Social Injustice in Suzanne Collins’s The Hunger Games2023-05-03T11:50:41+02:00Paula Schreieckpaula.schreieck431@googlemail.com<p class="western" style="line-height: 150%; margin-bottom: 0cm;" align="justify"><span style="font-family: Times New Roman, serif;"><span lang="en-US">For centuries, visions of the future have been intriguing concepts for scholars and researchers alike, especially during times of crisis. Wars, global pandemics, or natural catastrophes can prompt us to take notice of the inequalities still prevalent in the present, to question the status quo and to imagine alternative futures where such injustices no longer exist. Literature is a suitable resource for experiencing contemporary imaginations of the future, set either in a utopian place, where everything is better than in our society today, or one where everything is worse—the dystopia.</span></span></p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Paula Schreieckhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4869Feminism and Ethnic Identity in the Paratexts of Maxine Hong Kingston’s The Woman Warrior2023-05-26T17:37:42+02:00Lena Fleperlfleper@wwu.de<p class="western" lang="en-GB" style="line-height: 150%; margin-bottom: 0.35cm;" align="justify"><span style="font-family: Times New Roman, serif;">In 1976, Maxine Hong Kingston published her first book, </span><span style="font-family: Times New Roman, serif;"><em>The Woman Warrior: Memoirs of a Girlhood Among Ghosts. </em></span><span style="font-family: Times New Roman, serif;">Born in the US to Chinese immigrants and influenced by feminism, she mixes memories from her childhood with Chinese stories and legends her mother told her. Blending fiction with non-fiction, Hong Kingston cites Walt Whitman and Virginia Woolf as influences on her work, appreciating their inclusive language, which deals with “all kinds of people,” regardless of gender or heritage (Fishkin 784). </span><span style="font-family: Times New Roman, serif;"><em>The Woman Warrior</em></span><span style="font-family: Times New Roman, serif;"> became an immediate success, winning the 1976 National Book Critics Circle Award. Journalist and college professor Jess Row says: “When I query my first-year college students about books most of them have read, </span><span style="font-family: Times New Roman, serif;"><em>The Woman Warrior</em></span><span style="font-family: Times New Roman, serif;"> falls somewhere between </span><span style="font-family: Times New Roman, serif;"><em>Beloved</em></span><span style="font-family: Times New Roman, serif;">, </span><span style="font-family: Times New Roman, serif;"><em>Romeo and Juliet</em></span><span style="font-family: Times New Roman, serif;">, and </span><span style="font-family: Times New Roman, serif;"><em>The Sisterhood of the Traveling Pants</em></span><span style="font-family: Times New Roman, serif;">” (Row). What puts </span><span style="font-family: Times New Roman, serif;"><em>The Woman Warrior </em></span><span style="font-family: Times New Roman, serif;">in a group with these other famous works? The continuing re-publications and abundance of freshly written reviews show the momentum surrounding Hong Kingston’s work from 1976 to today. </span></p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Lena Fleperhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4889With a Grain of Salt2023-05-31T21:53:53+02:00Aleksandr Rubtsovtheblacknightroses@yandex.ru<p>It is a truth universally acknowledged that having completed a seemingly conventional novel, writers often resort to trickery to keep the readers engaged in the narrative. Whilst some authors may eavesdrop on multiple focalizers, others wallow in a shallow stream of consciousness. The subtlest, however, do neither, and yet exceed all the rest. James Salter, (1925–2015) an American novelist ofmoderate renown, belongs to the latter category.</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Aleksandr Rubtsovhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5318Nonfiction section2024-01-19T17:32:02+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>artwork</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5319Photograph2024-01-19T17:39:24+01:00Toranj Nasiritoranjak13@gmail.com<p>Photo by Toranj Nasiri</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Toranj Nasirihttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4821 ‘Moving and Meeting’ to Action2023-05-17T19:08:39+02:00Olivia Schulzoliviaschulz123@gmail.com<p style="font-weight: 400;">In 2015, when large numbers of people began fleeing war in Syria, former German Chancellor Angela Merkel claimed that she would allow a million refugees into her country, uttering the much debated words “<em>Wir schaffen das</em>!” (We can do this!”). Politicians faced many dilemmas in 2015 and all across Europe, policy makers eventually admitted to having made mistakes. Addressing new challenges and past failures, European Commissioner for Home Affairs Ylva Johansson told the press in March 2022, that politicians have learned lessons from their mistakes. It can thus be assumed that this time in Europe “we can do this better” with the millions of Ukrainian refugees, possibly with the help of civil society again. It is in fact civil society that is often anxious to maintain the momentum of the search for sustainable solutions for refugees. This paper closely examines the local voluntary association ‘Move and Meet’ that was originally founded in 2016 in Münster, Germany, soon after the 2015 refugee crisis to support and include female migrants through physical activity into society. It will be argued that for the new wave that includes mostly Ukrainian women, it is beneficial to look at successful examples of civil society initiatives that were established to help female migrants who arrived to Europe in 2015. It is through these players that the game’s momentum can be kept up so that politicians this time may exclaim: “We can win this!”.</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Olivia Schulzhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4783Intervening in the Colonial Past2023-04-11T12:51:15+02:00Elaine Calçaelaine_calca@usp.br<p>Postcolonial studies was first coined as a term for academic purposes in the 1960s. In their early years, postcolonial<br />studies primarily focused on critical engagement with literature and revealing the impact of colonization in everyday life.<em> The Survival Handbook of the Portuguese Discoverers in the Anti-Colonial World</em> belongs to this kind<br />of literature. The book was published in Brazil (Edições Macondo) in October 2020, and it was later published in Portugal (Douda Correria) in December of that same year. <em>The Survival Handbook</em>, which has not yet been translated into English or German, makes a relevant critique that postcolonial studies need to investigate. In this article, I present the book’s postcolonial critique.</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Elaine Calçahttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5311Creative Writing Section2024-01-18T14:57:31+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>artwork</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4772Death on Sale2023-03-31T19:02:18+02:00Swara Shuklaswarashukla25@gmail.com<p style="line-height: 115%; orphans: 2; widows: 2; margin-bottom: 0cm;" align="justify"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;">Short story<br /></span></span></p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Swara Shuklahttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5320Lineage No. 22024-01-19T17:42:58+01:00Laura Ntoumanissatura.journal@uni-muenster.de<p>Linocut by Laura Ntoumanis</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Laura Ntoumanishttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4744My Amma, Bhopal2023-03-30T20:02:38+02:00Yash Guptagupta.yash.r@gmail.com<p>Creative writing</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Yash Guptahttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4782Galcom2023-04-08T17:04:50+02:00Miriam Bellm_bell12@uni-muenster.de<p>Short story and photography</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Miriam Bellhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4742The internet told me that I was like a shark2023-03-28T17:25:16+02:00Selena Knoops_knoo01@uni-muenster.de<p>Creative writing</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Selena Knoophttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5340Poetry Section2024-01-25T11:49:27+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>artwork</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5055Sirens2023-08-04T16:11:08+02:00Laura Ntoumanissatura.journal@uni-muenster.de<p>Poem</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Laura Ntoumanishttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4774special operation2023-03-31T22:13:59+02:00Sofiia Bartnovskabartnovska.sofia@gmail.com<p>Poem</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Sofiia Bartnovskahttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4788Harness-Racing With A Train2023-04-13T22:06:08+02:00Debasish Mishradebasish.writer@yahoo.com<p>Poem</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Debasish Mishrahttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4870Wandering Wind2023-05-28T14:33:38+02:00Misbah Ahmadmsbh58@hotmail.com<p>Poem</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Misbah Ahmadhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4745first there’s nothing, then comes the blooming2023-03-30T21:12:05+02:00Lis Demirilisdemiri@gmail.com<p>Poem</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Lis Demirihttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4757Light Memory2023-03-31T15:14:11+02:00Vincenzo Pantóvincenzopanto02@gmail.com<p>Poem</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Vincenzo Pantóhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4892Phone Me on Telegram or Budapest2023-06-03T13:58:32+02:00Evra Jordana A.evra.a@proton.me<p>Poem and photography</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Evra Jordana A.https://www.uni-muenster.de/Ejournals/index.php/satura/article/view/4846Reviewing Translated Literature in the United States2023-05-22T18:34:02+02:00Marie Rocholmarie.rochol@wwu.de<p>Translations are a staple of many national literary scenes around the globe. However, while around 80 percent of all translations published between 2000 and 2009 were from an English original, only around 8 percent of them were into English (Bellos 210). When compared to the American publishing landscape, the central market in the Anglosphere, only about 3 percent of all publications are works in translation, a statistic also known as the Three Percent Problem (Sapiro 242). Many readers and researchers share “the view that reading literature from other countries is vital to maintaining a vibrant book culture and to increasing the exchange of ideas among cultures” (“About Three Percent”).</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Marie Rocholhttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5313Table of Contents2024-01-18T15:16:20+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>Table of Contents</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5387About the Journal section2024-02-21T11:39:56+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>artwork</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5388Volume 5 Staff2024-02-21T11:43:01+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>Staff bios</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5389About the journal2024-02-21T11:46:33+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>About Satura & How to Contribute</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5390Acknowledgements2024-02-21T11:52:15+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>Acknowledgements</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrewshttps://www.uni-muenster.de/Ejournals/index.php/satura/article/view/5310Front Matter2024-01-18T14:34:13+01:00Bethany Andrewsbethany.p.andrews@gmail.com<p>Title page, explanation about artwork in the volume, and Letter from the Editor</p>2024-02-21T00:00:00+01:00Copyright (c) 2024 Bethany Andrews